As of the afternoon of January 10th, "Sister-in-Law" had grossed 100 billion VND (according to Box Office Vietnam). Directed by Khuong Ngoc and written by the screenwriting duo Kim and ToTo Chan, the film has made a significant contribution to creating a distinctly Vietnamese work, embodying the essence of Vietnamese family and culture, and capable of deeply touching the audience's emotions.
Hong Dao and Viet Huong in the movie "Sister-in-law"
While the plot may not be groundbreaking—the sister-in-law/brother-in-law dynamic—" The Sister-in -Law" is handled well, maintaining a steady pace from beginning to end. Each character develops throughout the film, reflected in their dialogue and behavior in each situation presented.
The film "Sister-in -Law" effectively explores the psychological aspects of its female characters, giving Viet Huong (as Hai Nhi), Hong Dao (Ba Ky), Dinh Y Nhung (Tu Anh), Le Khanh (Nam Thu), and Ngoc Trinh (Ut Nhu) the opportunity to shine through their individual performances.
Viet Huong and Ngoc Trinh in the film
The film's plot revolves around a story of breakdown and reconciliation, encapsulated within the setting of an old ancestral home that collapses after a storm. The house also serves as a re-enactment of memories, conflicts, and long-hidden wounds among family members, ultimately leading them back to each other through love and family bonds.
The success of "Sister-in-law" shows that Vietnamese audiences are receptive to well-made films with quality scripts and performances by talented actors.
Source: https://thanhnien.vn/chi-dau-can-moc-100-ti-dong-doanh-thu-18525011016485232.htm






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