Meritorious Artist Thuy Anh revealed that she had long harboured the idea of ​​making the music video " Horse Hooves on the Clouds" because she wanted to elevate the sound of the two-stringed fiddle (Dan Nhi) to a new level. And when all the necessary elements came together, such as her professional maturity and the right team, the music video was successfully created.   It was born with so much joy and truly fulfills the artistic path she is pursuing and dedicating herself to.

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Meritorious Artist Thuy Anh has been dedicated to the two-stringed fiddle (dan nhi) for 40 years.

This is also her second music video after "Crossing the Forest" from the album "Ling" released in 2023 and the album "Oh, the Cranes" released in 2007. Throughout more than 40 years of dedication and performance with the erhu (Chinese two-stringed fiddle), Thuy Anh has elevated the sound of the erhu to a new level with her masterful technique, fully utilized in a work that brings together all her skills and the pinnacle of academic achievement written specifically for the erhu.

Through the exquisite combination of bowing (right-hand technique) – often called the soul of the sound – and the masterful use of left-hand techniques for plucking, vibrato, and glissando, Thùy Anh has brilliantly expressed every nuance of complex music , from gentle to powerful and utterly expansive. Thùy Anh has transformed a purely instrumental piece written specifically for traditional instruments into a highly contemporary musical product.

Against the backdrop of electronic instruments, Thùy Anh employed rapid bow movements and continuous bouncing techniques to create vibrato, enhancing each climactic passage and short, dramatic note. Furthermore, her sharp finger gliding technique produced a smooth, resonant sound, while her subtle touch of the strings at certain note positions for soaring, clear high notes truly impressed the listener.

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Meritorious Artist Thuy Anh in the music video "Horse Hooves on the Clouds".

Thùy Anh not only transcended the boundaries of a typical erhu player but also challenged passages with a wide vocal range by seamlessly switching hand positions and rapidly vibrating between main and secondary notes, creating highly sophisticated and impressive vocal embellishments.