The lacquer painting exhibition "Sacred Marks" includes 52 traditional lacquer works about homeland landscapes and national heritage sites with an artistic style combining traditional and modern and divided into 4 themes.
The theme “Khoi” opens the exhibition with 14 lacquer paintings focusing on the genre of still life. In these works, artist Chu Nhat Quang not only seeks to recreate familiar objects in daily life such as fruits, ceramic vases and household objects, but also brings them to new life through the subtle combination of lacquer colors and textures. These works reflect the artist’s deep memories of his time studying pottery, where he discovered the sophistication and unique beauty in every simple shape. Each painting is not only a display but also a contemplation of the aesthetic values of a simple but meaningful life.
Chu Nhat Quang is a young artist with a rich educational background and creative thinking. Photo: BTC
The theme "Origin" includes 17 paintings, taking viewers on a profound journey to discover the culture and heritage of the Vietnamese people such as Thang Long Imperial Citadel, Turtle Tower, One Pillar Pagoda, Thay Pagoda... With the image of Mother Au Co and the art of water puppetry, the artist evokes stories about the sacred origins and silent sacrifices of farmers - those who have nurtured and preserved the long-standing culture.
The theme of "Spirit" with 9 paintings continues to evoke nostalgia for culture and heritage. The artist recreates the scene of the ancient water theater with water puppet shows, the famous Thay Pagoda, and everyday scenes in ancient villages. From the image of a meditating monk to the lotus flower symbolizing enlightenment, each painting is imbued with philosophy and spirituality, reflecting the desire to seek truth and perfect oneself. The Imperial Citadel of Thang Long and the Turtle Tower are also vividly depicted, demonstrating the longevity of Vietnamese culture through all the ups and downs of history. These works are not only a reminder of the historical value of the nation but also a call to protect cultural heritage in the modern context.
Finally, the theme "Inner" with 12 paintings evokes memories of the homeland, village communal houses and water puppetry - cultural symbols typical of the Vietnamese farming community. The paintings about water puppetry not only recreate the life and customs of the rice civilization, but also clearly depict the unique cultural identity of the nation. Through images such as phoenixes, fish, or vivid puppets, the artist conveys the message of harmony between humans and nature and the hope of maintaining the precious traditional values of the nation through many generations.
The work "Sacred Mark", one of the works displayed at the exhibition "Sacred Mark" by artist Chu Nhat Quang. Photo: Organizing Committee
Sharing with the press, artist Chu Nhat Quang said: "My greatest inspiration has always been my homeland and my people, although I have also had the opportunity to be exposed to Western culture during my time studying and researching abroad. These experiences have broadened my horizons and helped me absorb the latest trends in global art and culture, which I then apply to my creativity. Although living in an urbanized environment and a modern lifestyle, I have always maintained a strong connection with traditional Vietnamese culture and constantly aspire to bring the spirit of my homeland into each of my works."
"Today's event is not simply an art performance but also a journey back to the roots, a reminder of the importance of preserving and promoting lacquer craft and traditional cultural values in the modern world ," artist Chu Nhat Quang emphasized.
Evaluating Chu Nhat Quang's works, writer and painter Nguyen Quang Thieu (Chairman of the Vietnam Writers' Association ) shared: "With the inheritance and development of art from his family, Chu Nhat Quang has contributed to the diversity and richness of modern lacquer art, expressing the harmony between tradition and contemporary. His works bring the audience new and profound aesthetic experiences."
Mr. Duong Trung Quoc, Vietnamese historian and politician, said: "From the perspective of a historian, I feel the desire for innovation in Chu Nhat Quang's lacquer paintings. He has devoted himself to renewing the traditional art of his ancestors, experiencing many challenges and finding ways to develop. Although these works are still new, I believe that with his enthusiasm and creativity, he will take Vietnamese lacquer further."
As planned, the introduction will take place from October 5 to October 15, 2024 at Thang Long Imperial Citadel, Hanoi.
Source: https://www.congluan.vn/thuong-lam-phong-canh-huu-tinh-trong-tranh-son-mai-cua-hoa-si-chu-nhat-quang-post313866.html
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