A prime example is the TikTok and Facebook channel of a young man with a large following. This young man cross-dresses and plays the role of a daughter-in-law in a series of video clips depicting everyday life in the Mekong Delta. The recurring theme is the disagreements between the daughter-in-law and her mother-in-law and husband's family. However, it seems that none of the episodes are positive; instead, they are filled with heated arguments, physical altercations, and conflicts over trivial matters. Because these videos evoke negative emotions in viewers, many comment, using them as a platform to vent their anger at their mothers-in-law, mothers, and even their husbands and children. Ultimately, the question raised within the community is: why "expose one's weaknesses" when negative emotions stem from these absurdly staged situations on social media?
Similarly, the "CEO" trope is also flourishing under the guise of "short films." A man pretends to be poor, a mother-in-law feigns hardship, a grandmother feigns madness… or uses family feuds to test a woman's loyalty. And often, the next development is that the woman values wealth and despises poverty, treating the poor as worthless and then trampling on their dignity. It's unclear what the film is trying to say, what social issue it represents, or if it's simply a crude and cheap way to vilify women.
Recently, at the Ministry of Culture, Sports and Tourism's third-quarter press conference, the popular short films on social media featuring the "CEO" trope and family conflicts were discussed quite actively. Public opinion questioned the legality and positive aspects of this type of film. Mr. Le Quang Tu Do, Director of the Broadcasting, Television and Electronic Information Department of the Ministry of Culture, Sports and Tourism, stated: All artistic activities, including film, must comply with the law. Therefore, films, including those with the "CEO" trope, are permitted to operate and be disseminated normally if they do not violate legal regulations. However, if any content affects the morality, lifestyle, or standards of the people, especially young people, the authorities will immediately consider taking action. Of course, each specific case will require thorough and objective evaluation.
Clearly, Vietnamese law always ensures fairness and creates favorable conditions for organizations and individuals involved in the arts, including film and television. The remaining issue is the awareness of those working in the profession, placing responsibility and conscience in each product, rather than chasing cheap trends for profit or to attract viewers. Given the frequent appearance of these types of films, the concern about promoting deviant lifestyles among young people is entirely justified.
DANG HUYNH
Source: https://baocantho.com.vn/phim-ngan-hau-qua-dai--a192547.html
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