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Keeping the flame of traditional crafts alive in the digital age.

The photo exhibition "Traditional Crafts in the Digital Age (Keeping the Flame of Traditional Crafts Alive in the Digital Age)" at Ho Chi Minh City Book Street from May 13 to 17, honors and promotes the preservation and development of traditional Vietnamese crafts, contributing to fostering pride and awareness of cultural heritage preservation among the younger generation in the new era of development.

Báo Đồng NaiBáo Đồng Nai09/05/2026

Students receive assistance from artisan Nguyen Thanh Nhan (second from the right) in taking a photo reportage of a fine art wood workshop in Trang Bom at the end of April 2026. Photo: Ngoc Mai
Students receive assistance from artisan Nguyen Thanh Nhan (second from the right) in taking a photo reportage of a fine art wood workshop in Trang Bom at the end of April 2026. Photo: Ngoc Mai

This is the first time that photographic works by students majoring in multimedia communication from the Faculty of Journalism and Communication, University of Social Sciences and Humanities (Vietnam National University Ho Chi Minh City) have been exhibited at a model public cultural space such as Ho Chi Minh City Book Street, serving a large audience of city residents and international tourists.

"Visual stories"

A cat lies beside a bamboo screen. A young woman, her clothes stained with paint, sits painting a piggy bank. A couple strains, shoulder to shoulder, carrying a large earthenware pot. A carpenter silently carves wooden clogs, "cherishing Vietnamese feet." Elderly women rhythmically weave baskets, make conical hats, and glaze and paint terracotta, creating familiar everyday items, from household goods to the charming "poetic conical hat" that protects from the sun and rain...

The "visual stories" from within traditional craft villages, workshops, and household goods production facilities are vividly reflected through the youthful observational eyes and enthusiastic lenses of today's multimedia communication students. The "Traditional Crafts in Digital Rhythm" photo exhibition shows that in an era shaped by technology, digital life, and algorithms, Vietnamese traditional craft villages still exist as enduring witnesses that have stood the test of time for decades, even centuries…

In late April 2026, a group of students including Khanh Ngan, Anh Nguyet, Ha My, and Ngoc Thuy visited Trang Bom wood carving village ( Dong Nai city) and met artisan Nguyen Thanh Nhan, who has been practicing traditional woodworking and handicrafts for 37 years. Besides taking photos, the students also heard Mr. Thanh Nhan share the woodworking process and the story of how he skillfully transformed scraps of wood into exquisite, unique, and creative toy models and gifts, creating high-value OCOP (One Commune One Product) export products.

The exhibition's photo collections were taken in various localities – from Dong Nai (handicrafts), Tay Ninh (conical hat making), Dong Thap (mat weaving), An Giang (Cham ethnic brocade weaving)… which are provinces and cities striving to maintain and develop their local traditional crafts.

Take photos and experience the "saltiness of life".

The Traditional Crafts Exhibition features many eye-catching photo collections taken from craft workshops in Ho Chi Minh City, ranging from casting Buddha statues, bronze incense burners, making lion and dragon heads, to making incense, pottery, lacquer paintings, bamboo blinds, weaving bamboo baskets, making traditional cakes, and even traditional rope-making villages…

Young people not only take photos but also have the opportunity to "learn the craft" from artisans: pouring rice paper batter, drying incense sticks, scooping salt, washing lacquer paintings, etc. Therefore, their photographic works are not only beautiful in terms of lighting, composition, and color contrast, but also have meaningful content derived from direct experience and connection.

Photographer Thai Gia My (19 years old) recounted that during the photoshoot at the Dinh Hoa lacquer workshop (Chanh Hiep ward, Ho Chi Minh City), which was established exactly half a century ago (1977), the group always received unwavering support from the elderly artisans: “The artisans, some painting, some polishing, worked continuously without rest with intense concentration, pouring all their feelings and efforts into each lacquer painting. These are the people who silently dedicated their lives to the craft, keeping the flame of the village craft alive and continuing the legacy of those who came before.”

A group of students, including Thanh Truc, Van Thanh, Ngoc Quyen, Bich Thu, and Anh Thu, set off at 2 AM, traveling over 60km by motorbike to the salt fields in Ly Nhon (An Thoi Dong commune, Ho Chi Minh City) to photograph salt farmers making salt in the rising sun. They took pictures amidst the precarious conditions of narrow paths dividing the fields, a mixture of soil, sand, salt, and water.

The group shared: “We liken the salt farmers to ‘thin shoulders carrying the sun’ for a ‘salty land to bloom.’ We gained and learned so much from the photoshoot, especially from the conversations. Even while working hard, the farmers were willing to take a break for a few minutes, offering gentle smiles and warm, simple conversations. Throughout the photoshoot, we felt the saltiness of the salt, of every passing breeze. Perhaps that is also the saltiness of life, of a spirit of labor so admirable and precious.”

Photography lecturer/Currentor of the "Traditional Crafts" photo exhibition, TRINH VO TRUNG NGHIA, said: "The exhibition is an opportunity for young people and students who love national culture to express their feelings and appreciation for traditional craft village heritage and beautiful cultural values, contributing to the promotion of the policy of strengthening the implementation of solutions for developing rural industries."

Cam Diep

Source: https://baodongnai.com.vn/dong-nai-cuoi-tuan/202605/giu-lua-lang-nghe-thoi-dai-so-9a113fc/


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