On the morning of June 19, at Da Lat Writers' House, Lam Dong province, the 2023 stage writing camp organized by the Ho Chi Minh City Theater Association opened with the participation of 16 authors.
16 authors have "introduced" 16 scripts, revolving around many topics about contemporary life, history, children's plays...
Theatre writers attend script writing camp in Da Lat
16 scripts include: "The mute child" (Tran Dang Nhan), "Vat tinh" (Dang Thanh Nga), "Anh lua dem xuan" (Tran Thi Hong Anh), "Cham va dam me" (Phuong Vy), "Vuong hau" (Bich Ngan), "Mat mat anh hung" (Nguyen Thanh Binh), "Thuyen ve wharf cu" (Duc Hien), "Vit ran do" (Tran My Trang), "Buoc ra buoc dan" (My Dung), "Am vong hoang thanh" (Pham Tan), "Gap lai an old friend" (Dang Minh), "Duc chi" (Le Thu Hanh), "Biet bao nhieu tinh" (Tran Kim Khoi), "Diep vu doi thuoc phat than" (Nguyen Khang Chien), "Meeting place of love" (Vuong Huyen Co), "Life is not numbers" (Thanh Hiep)...
Authors participating in the Stage Script Writing Camp organized by the Ho Chi Minh City Theater Association
The authors read the scripts before coming to the camp, taking time to comment, discuss, and clarify the ideological themes of each script.
The dramatic stories are quite engaging and create a dialogue atmosphere to encourage changes in structure, space, conflict situations, character personalities, etc.
Writers working at the 2023 playwriting camp
Director - People's Artist Tran Ngoc Giau, Chairman of the Ho Chi Minh City Theater Association, hopes that after participating in the camp, many scripts will be staged into good plays that will be well received by the public.
Many writers participating in the writing camp acknowledge that the stage is currently lacking good scripts. Participating in the camp and receiving feedback and "reinforcement" from many people will help writers come up with breakthrough scripts.
In fact, through each writing camp, the team of stage writers in Ho Chi Minh City hopes to create many good scripts that closely follow contemporary life. The stage cannot just stick to recreating old scripts, but needs to create new scripts that are problematic, approach the continuous developments of life, and especially must have commitment when writing scripts based on real materials from life.
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