On May 28th, the Hanoi Department of Culture and Sports organized a meeting with non-governmental museums in the city and introduced the 2026 Creative Design Festival.

My only fear is that the money from ticket sales won't be enough to print the tickets to sell.

To date, there are approximately 218 museums nationwide, with 81 of them being privately owned. However, the actual operational picture reveals many worrying dark areas. According to a report from Ms. Ngoc Hoa, Director of the Hanoi Creative Activities Coordination Center, exhibitions in privately owned museums absolutely dominate with themes of history and culture (60%), followed by art/fine arts (24%) and science /specialized fields (16%).

In terms of visitor numbers, the majority (43.3%) of museums receive fewer than 5,000 visitors per year. Regarding technology, 52% of institutions still manage artifacts manually, with only 9% applying high technology such as virtual reality or 3D scanning. Furthermore, 65.2% of institutions reported not having accessed any specific support programs from the government.

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Artifacts in the Lai Xa Photography Museum.

These figures are vividly illustrated by the desperate plea for help from representatives of the Lai Xa Photography Museum. Despite its unique professional value, the museum is facing severe deterioration after many years of operation: Without a heat protection system, high temperatures have caused numerous cracks in the glass display cases for cameras. The expanding concrete roof leaks during the rainy season, leaving staff with no choice but to use buckets to catch the water and clean, directly threatening the extremely fragile paper artifacts. Basic equipment such as lighting and air conditioning are also severely damaged.

Having operated for nearly 10 years solely on enthusiasm, without salaries or benefits, the museum has failed to attract young people. Currently, the youngest staff member is almost 60 years old and completely incapable of handling the demands of digitalization.

The museum representative lamented, likening himself to a "temple caretaker," only capable of looking after the museum and opening its doors. Reporting the difficulties to the local authorities resulted in the response that it was "not within the budget," while the museum itself lacked the funds to repair or expand its visitor experience spaces. Without government support, these cherished museums will gradually fade away.