What bothers me is not Pu's attitude but the unpleasant voice of the character Le in "Walking in the Bright Sky".
* The article expresses the author's opinion.
I have watched the movie Walking in the Glorious Sky Although not in detail. Because I have little time, I sometimes just skim through short excerpts of the film that are available on social networking sites. But seeing that everyone is curious and discussing it, the excerpts often have a large number of views, I pay a certain amount of attention to topics related to Walk in the bright sky.
This morning reading your article Phuong Nga I felt extremely upset because The way the question is posed is very provocative and challenging to public opinion. A film is made for the audience. So the audience has the right to praise and criticize, to express their feelings and thoughts about the film's situation, the actors and their roles. Acting is a profession that serves hundreds of families, so you have to accept criticism along with praise. Of course, praise and criticism must have limits, don't confuse the character and the actor.

However, as Phuong Nga stated, the height difference between Thu Ha and co-star Long Vu cannot be equal to the height difference between Hoang Ha and Quoc Anh of Us 8 years later But viewers do not feel uncomfortable when these two actors talk to each other.
Therefore, Pu's "căng câng" facial expression every time she talks to Chai needs to be changed so as not to make the audience uncomfortable. The audience's comments are reasonable. The production team should also have a solution so that the female lead does not have to look up every time she talks to the male lead, such as placing a chair for her to stand on, as long as that image is not in the frame.
I also agree with many of Phuong Nga's accurate comments that the character Pu is too sharp, even cunning, and pragmatic, not like what I imagine about ethnic girls in the highlands. However, what I find annoying is not Pu but two new characters who have recently appeared in the city scene. They are Pu's two roommates.

Perhaps because he wanted to attract audiences from other regions, the director tried to cram in two characters who spoke with a Central and Southern accent. I don't know if the character Le spoke with his native accent or not, but it was really hard to listen to. Many people from the Central region I know who go to Hanoi to study and work often adjust their accent to Hanoi for easier communication.
While Le has studied at university for 4 years in Hanoi, her accent is still very strong. Every time she speaks, I have to strain my ears to listen and analyze what the character is saying. Not to mention, Le is portrayed as a very pragmatic girl. As an economics student, does everything have to be converted into money, from a glass of orange juice to a phone call?
The character Nhu is clearly portrayed as a mean girl who loves boys. However, I find the actress who plays Nhu too bland and arrogant compared to the other actors in the film. Walk in the bright sky The last few episodes have lost their appeal.
The character that I like the most is still Chai - an enthusiastic, cute and humorous boy. Chai is loved, I think also because he is a rather strange character type that has never appeared on television. Not to mention, Chai also has a style and dialogue that follows the current youth trend.

This character is so successful because actor Long Vu plays the role so well and gracefully. It is understandable why Chai takes the spotlight in all the episodes. Walk in the bright sky has been on air and is also a factor attracting the audience. Hopefully Chai will keep the audience until the last episode.
Many Vietnamese films have fallen into the "elephant head and mouse tail" situation, only attracting a few episodes at first and then gradually losing steam. I heard that Walk in the bright sky It's also hundreds of episodes long, so I'm worried. I wonder if the filmmakers have enough "capital" to convince viewers in the next five or seven dozen episodes?
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