Scraps of fabric, wood carvings, and oil paintings tell the story of 'Flowers on the Street'.

Using oil paints, woodblock prints, and collages made from scraps of fabric, three female artists, Anh Đào, Hoàng Duyên, and Đỗ My, have brought "Flowers to the Streets," showcasing the vibrant colors of flowers from the sunny highlands in Saigon.

Lost in the world of "Flowers on the Street" by three female artists at Maii Art Gallery.

The group exhibition " Flowers on the Street" features works by three female artists, Nguyen Anh Dao, Hoang Duyen, and Do My, and will be on display until December 20th at Maii Art Gallery (72/7 Tran Quoc Toan, Ho Chi Minh City).

Although both artists paint still lifes of flowers and both hail from the highlands, each chooses a different medium and method of expression, creating three distinct visual nuances that are nonetheless harmonious in spirit for "Flowers on the Street."

Three ways of feeling about flowers and memories of the highlands.

Without telling grand stories, "Flowers on the Street" offers a gentle, relaxing visual experience. In the exhibition, flowers are not merely aesthetic objects but also memories, a way for the three female artists to engage in dialogue with their inner selves and with the land that nurtured them.

Having dedicated many years to wild sunflowers and woodblock printing, artist Hoang Duyen presents the series "Highland in Flower Season," depicting the vibrant life of this flower, often likened to the sunflower of the red basalt soil.

In her hands, the inherently strong material of wood carving becomes soft and approachable. The vibrant yellow of the wild sunflowers stands out against the warm, rustic background, evoking memories of the Tây Nguyên sun and wind, of misty mornings or slow-slow sunsets in the mountains.

In the paintings, flowers are not depicted in isolation but are integrated into the living space, with the slow, peaceful rhythm of nature and local life.

Artist Hoang Duyen with a series of color woodblock prints of wild sunflowers.

For Nguyen Anh Dao, painting is like a late-blooming romance. Originally a writer, she only started painting in 2019, but to date she has painted 500 oil paintings that have been widely acclaimed both domestically and internationally.

Cherry Blossom paintings are not elaborate in technique or composition, but focus on emotion. Flowers do not carry complex symbolism or metaphors, but are present as everyday life in the mountains and forests, enduring and full of vitality.

"I paint flowers, with cheerful colors like my peaceful life in the mountains. There's no philosophical meaning behind it, I just want to send some positive energy to the viewers. Flowers bloom in all four seasons, whether the weather is good or harsh, each flower has its own vitality," Anh Đào shared.

Artist Anh Dao stands beside her vibrant and energetic oil paintings.

Meanwhile, Do My brings a youthful, everyday feel through her series of collages made from fabric scraps. She cuts and assembles old pieces of fabric, sometimes frayed at the edges, faded, and bearing the marks of time, into flowers, creating visually rhythmic surfaces.

For Do My, each piece of fabric carries its own memory of the journey it has taken. When placed together, they not only create shapes but also tell a new story about vibrant rebirth, about how beauty can blossom from the ordinary.

My's scraps of fabric paintings evoke a warm, familiar feeling, prompting reflection on sustainability and appreciating what life offers, from the smallest things.

Do My's series of collages made from fabric scraps evokes pure and bright emotions.

Slow down a bit to see the flowers still bloom.

Three artists, three styles, three independent creative paths, yet they meet in their subtle perception of flowers and the shared mindset of highland women: gentle yet resilient, simple yet profound.

According to curator and artist Phan Trong Van, "Flowers on the Street " is not about "bringing flowers to Saigon," but rather about bringing a touch of mist, a slow-paced breath of life, a hint of the shyness of a mountain girl with rosy cheeks and red lips, and a touch of memories of golden afternoons at the end of the year on the hillsides.

There, the flowers bloom not for anyone to admire, but so that the viewer can recognize a flower in their own heart gently blossoming.

Curator and artist Phan Trong Van admires the paintings of the three artists at the "Flowers on the Street" exhibition.

According to painter Ngo Dong, although they all come from the same region and all paint flowers, the three artists create completely different aesthetic effects.

Hoang Duyen has established lasting artistic value bearing her own name, associated with the shimmering golden hues of the highlands, mature yet graceful lines, vibrant energy, and abundant positive vibes.

Do My is youthful and vibrant, with a concise visual language and pure, playful emotions; she seems stubborn but incredibly charming. Anh Dao, being a writer, uses flowers not merely for outward appearances but as a way of admiring the elusive, ever-changing movements of the inner self and the mystical beauty of the spirit.

Small and graceful, amidst the hustle and bustle of city life, the flowers blooming on the streets seem to invite viewers not to forget to take time for the little things, to see how many seasons of flowers are still gently blooming in everyday life.

From left to right: paintings by Nguyen Anh Dao, Hoang Duyen, and Do My

From left to right: artists Do My, Anh Dao, and Hoang Duyen at the "Flowers on the Street" exhibition.

Color woodblock prints by Hoang Duyen

A collage made from fabric scraps by Do My.

Oil paintings by Nguyen Anh Dao

The exhibition runs until December 20th at Maii Art Space.

H.VY

Source: https://tuoitre.vn/vai-vun-khac-go-son-dau-ke-chuyen-hoa-xuong-pho-20251215013041417.htm