8 episodes of “Sweet Home 3” have aired. The new part has received more attention as Song Kang has more screen time and Lee Do Hyun returns.
However, according to NME, the lengthy script, slow pace and lack of drama are factors that prevent the film from creating a positive effect.
Song Kang's acting has improved compared to the previous two parts but is still not sharp and deep. He plays Cha Hyun Su - a person whose body is invaded by a monster but still has control over his mind.
Song Kang faces a big challenge when playing two roles at once - Cha Hyun Su when he is controlled by a monster and the kind, honest Cha Hyun Su.
Audiences commented that Song Kang did a better job of expressing the gentle, timid emotions of the character. When having to act out the fierce and reckless side of the monster inside Cha Hyun Su, the actor was still exhausted and lacked emotion.
India Today newspaper commented that Lee Do Hyun's return was impressive and a highlight of the film. No longer the bookworm and scholarly character in part 1, Eun Hyuk (played by Lee Do Hyun) became cold and sinister in part 3.
Lee Do Hyun and Song Kang have many scenes together, full of conflicting responses. However, Song Kang's face is always in a state of haste and fear, making him somewhat inferior to his co-star.
"If I don't look at the eye color, I can't tell when Cha Hyun Su turns into a monster and when he turns back into a normal person," a viewer commented on Song Kang's acting.
Expected to be a summer blockbuster, "Sweet Home 3" has yet to make its mark. The problem still lies in the script, which is too general and deviates from the original nature of a survival battle with dangerous monsters.
Season 3 of "Sweet Home" takes half its runtime to resolve the issues from season two, but the second half of the plot is also unclear, according to NME's review.
Having to aim for the grand finale of a "new humanity" makes the film have sudden transitions and messy plot.
Movie monsters are created using CGI (computer-generated imagery), and are mostly tentacles, elongated parts, or slimy shapes.
In general, monsters have diverse shapes but do not contribute much to the film's content, and the fate of those who are turned into monsters is not explored if they are not the main characters.
According to Nate, if in season 1, Song Kang's film was praised for seamlessly handling the concept of desire expressed in the form of monsters, the relationships between characters, personal stories and depicting the image of humans in disaster... then in the following 2 seasons, this essence seems to have disappeared.
Source: https://laodong.vn/giai-tri/dien-xuat-cua-song-kang-bi-che-lep-ve-so-voi-lee-do-hyun-1368812.ldo
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