Immerse yourself in the field, live with the breath of life.
Without the spotlight or glamorous backstage, frontline reporters quietly gather stories, conveying meaningful messages to readers and the public. They are the ones who tirelessly record the truth with sweat and tears. More than just news reporters, they are witnesses, sharers, and reflect on the fates and hidden aspects of life with honest and thoughtful pens.
For nearly 20 years as a journalist, Viet Hoa (from the Provincial Media Center) has traveled to many remote areas of the province, from mountain villages and coastal alluvial plains to offshore islands and deep green forests. For her, each trip is an opportunity to meet, listen to, and experience the everyday stories and ordinary lives of people full of resilience.
Having been involved in agriculture for many years, she has visited hundreds of farms, large and small, high-tech fruit orchards, and even flood-stricken and storm-affected areas. On each trip, through meticulous observation and a deep connection with the people, she recognizes the value of seemingly small details: a thoughtful gaze, a trusting handshake, a smile brimming with hope. These moments have found their way into her articles, naturally evoking the reader's emotions. Journalist Viet Hoa confided: "For me, writing is a process of living alongside the people. Sometimes, when I'm on fieldwork, I don't think of myself as a journalist; I feel like family, sharing their joy when they have a good harvest, their worries when agricultural prices fall, and their heartache when they lose everything after floods and storms…"
One of the works that journalist Viet Hoa and her colleagues cherish during their career is "Life at Sea" - a series of works produced in print, radio, and television formats, reflecting the losses and the resilience of fishermen in Van Don after Typhoon Yagi in September 2024. This work won the Silver Award at the 42nd National Television Festival.
On days when she accompanied fishermen out to sea to film, the sea was rough, the cold wind lashed against her face, and the boat rocked precariously amidst the vast expanse of waves. Yet, Viet Hoa remained steadfast on the side of the boat, one hand holding the camera, the other taking notes. At times, the relatives of the subjects were hesitant to share, but through sincerity and patience, she gradually gained their trust, prompting them to open up and share their stories. From this, she created the most authentic articles and reports documenting the stories of fishermen, their losses, their resilience in the sea, and the small glimmers of hope after the devastating effects of Typhoon Yagi. It is this sharing that has helped the "Life at Sea" series touch the emotions of readers, serving as a gentle message about the enduring vitality of life at the forefront of the waves.
Besides reporting on everyday life, journalist Viet Hoa quietly seeks to spread meaningful messages in society. One of the most moving experiences for her was when she produced a series of programs about organ donation and transplantation, including the documentary "My Child Lives On Forever." Following this, she and her colleagues organized three seminars connecting donors, recipients, and their families. Witnessing the parents of organ donors embracing the person carrying their child's heart, Ms. Hoa was deeply moved, because she felt the meaningful message of life had been sent – life continues, even with loss ahead.
In the context of rapidly changing journalism towards digitalization and multi-platforms, many young reporters at the Quang Ninh Provincial Media Center have proactively learned and innovated their work methods to keep pace with new demands. Minh Duc, a reporter in the News Department, is one such example. He quietly contributed to many hotspots, from the epicenter of Typhoon Yagi and the scenes of complex criminal cases to the exciting days at the SEA Games 31...
Whether it's rain and wind at sea or the sweltering sun in the stadium stands, Minh Duc stays close to the scene, filming, writing news, and sending articles back as quickly as possible. Sometimes he's on duty day and night, other times he has to constantly move between distant locations, but he has never complained. For Minh Duc, each image, each video clip is not simply documentation, but authentic snapshots of life, things he wants to tell through the language of journalism.
Not only is Minh Duc dynamic in the field, but he is also one of the young reporters who is eager to learn and strives to integrate technology into his journalistic work. He is proficient in using video editing software and writing articles in a multimedia style. As a result, his work is presented vividly, easily accessible, and conveys information in a lively way. From e-Magazines and video reports to quick on-location clips, his works published on the provincial media center's digital platform have helped attract more attention from readers.
Journalist Minh Duc shared: "As a young reporter, I am always aware that I must constantly learn and hone my skills to be able to reflect events as accurately and truthfully as possible. Each piece is the result of effort, thorough research, and meticulous attention to even the smallest details. I believe that only by investing a lot of effort and maintaining honesty in storytelling can we create articles that have an impact and touch the emotions of viewers and readers."
Despite his young age, Minh Duc has had many journalistic works well-received by readers. These include: "A Day in the Life of a Female Party Branch Secretary of the Dao Ethnic Group in a Border Village," which won first prize in the Quang Ninh Provincial Journalism Awards and the Golden Hammer and Sickle Award in 2023; and "The Four Good Party Branch," which won second prize in the Quang Ninh Provincial Journalism Awards and the Golden Hammer and Sickle Award in 2024.
Silently behind the newspaper pages, the frame
In the ever-changing world of journalism, where reporters are on location day and night to gather information, there are also those who choose to stand behind computer screens, quietly perfecting every detail to create the final product. These are editors and post-production technicians, working silently, not appearing on air, not having their names on the articles, but their role is crucial in ensuring that each journalistic work reaches the audience in a complete, engaging, and insightful way.
If reporters and editors are the storytellers, then post-production technicians are the ones who arrange, combine, and integrate images and sound to convey emotions, create a unique rhythm for each work, and help touch the hearts of viewers, listeners, and readers.
Technician Dang Duc Hiep ( Information Technology and Program Production Department, Quang Ninh Provincial Media Center) is one such figure. Almost never absent from any major provincial event, from the Provincial People's Council meetings, fire drills, live television broadcasts to documentaries and news reports serving political purposes, he is always quietly present behind the editing desk, his eyes glued to each frame, his fingers nimbly moving across the computer keyboard to complete the work. He also participates in producing theme music, cutaway music, backgrounds, backdrops, stage layouts, posters, text bars, and LED screens for major programs and events, such as: the 60th anniversary celebration of the province's founding, the launch of a music video commemorating the 60th anniversary of the province's founding, and the launch of the first television series produced by the Provincial Media Center...
He confided: "Working as a post-production technician requires perseverance, meticulousness, and sometimes having to put personal matters aside to meet deadlines. Many times I sit editing all night, my eyes strained from staring at the screen for so long, my hands aching from adjusting each frame and each audio segment. There are times when I feel exhausted, but thinking about the program airing smoothly, being watched by the audience and appreciated by my colleagues, I feel I need to try a little harder. I believe that whatever you do with heart, the product will have soul."
Over the past five years, many news reports and documentaries directly produced by technician Dang Duc Hiep have won high awards, such as: the news report "Stories of the Poor Seeking to Escape Poverty in Quang Ninh," Gold Award at the National Television Festival (2019); the documentary "Labor Hero, People's Doctor Nguyen Ngoc Ham," First Prize at the Quang Ninh Provincial Journalism Awards (2019); the news report "Firm Party Members at the Forefront," Award A at the Quang Ninh Provincial Golden Hammer and Sickle Awards (2022)...
Behind the meticulousness of each film lies countless small details such as: transition effects, noise processing, color correction, graphic illustration... All of these require patience and creativity from post-production technicians to create images that are technically sophisticated yet imbued with the emotions of the storyteller.
On the online news front, where information changes every minute and second, editors and technicians quietly contribute to creating vibrant, engaging products that align with modern journalistic practices. Editor Nguyen Do Quang (Editorial Department of Quang Ninh Online Newspaper and Information Portal, Provincial Communication Center) is one such young figure. Proficient in various graphic design software, Quang not only provides technical support for daily news articles but also participates in developing new journalistic products such as e-magazines and infographics. Through his meticulous work and creative thinking, these products enhance the appeal and interaction of articles, helping to deliver information to readers more visually and effectively.
Quang shared: "When creating multimedia products, we're both doing journalism and learning how to tell stories through technology. From image design to motion effects, everything needs to be carefully calculated so that the information conveyed is clear, easy to understand, and resonates with the viewer. Every detail is a part of the story. We strive to tell that story in the most complete way possible."
In the increasingly fast-paced world of modern journalism, with a proactive spirit, Quang and his colleagues always dedicate time to participating in training courses on digital transformation in journalism, the application of artificial intelligence, video editing using mobile phones, and many other new skills… From there, they master technical platforms, transforming dry news into lively and accessible content for readers in the digital age.
The dedication, meticulousness, and quiet contributions of editors and technicians have played a crucial role in the success of many journalistic works. Although they don't appear in front of the camera or have their names credited on the works, they remain an indispensable link in the process of creating high-quality products, recognized at national, ministerial, and provincial journalism awards. It is these silent contributions, together with the collective efforts, that have shaped the image of Quang Ninh journalism, making it increasingly professional, modern, and closer to the public.
In response to the ever-increasing demands of modern journalism, the team of reporters, editors, and technicians at the Provincial Media Center are striving every day to preserve and continue the tradition of "the flame of coal mining journalism." Each person proactively learns, takes responsibility for their profession, and constantly innovates to produce high-quality journalistic works. Together, they contribute to building the Provincial Media Center into a modern, reputable multimedia media complex that disseminates its values to the public and makes a practical contribution to the overall development of the province.
Source: https://baoquangninh.vn/sdf-3361313.html
![[Image] A night of light, many layers of message](https://vphoto.vietnam.vn/thumb/1200x675/vietnam/resource/IMAGE/2026/03/10/1773158812907_hoa-nhac9-jpg.webp)
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