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Who sabotaged 'Closing the Deal'?

"The Deal Closed" opened with poor results, facing a high risk of financial loss. However, it wasn't just the limitations of the AI ​​that disappointed viewers; the quality of the script was also a major drawback.

Báo Quảng NinhBáo Quảng Ninh14/08/2025

However, these are not the only limitations that cause Confirm the order. The film loses points. Putting aside the AI ​​issue, what disappointed viewers most was the quality of the script. While it had a fresh idea of ​​exploring the story behind live-streamed sales – one of the hottest and most talked-about topics today – the screenwriting team showed clumsiness in developing the situations and characters, as well as ambiguity in the message the work conveyed.

Typically, films about specific professions aim to explore both the bright and dark sides, from noble values ​​and ideals to pressures, conflicts, and hidden aspects that few people see. This allows the work to both reflect reality and provoke reflection, helping viewers understand, empathize with, or gain a more multifaceted perspective on the profession in question.

However, these factors appear rather vague in The order is confirmed. No one knows what the beauty or positive aspects of these multi-million dollar livestreams are, while the dark side emerges with too much drama and chaos. And what rarely lingers in the audience's mind is the noise and lack of professionalism of the entire company system – those who, according to the film's narrative, are racing to achieve a "hundred-billion-dollar livestream."

The fact that a demanding boss like Hoang Linh is willing to "sacrifice himself" to find and hire a ride-hailing driver with a salary of 30 million VND seems awkward. The way the company operates and the basic daily tasks of the employees are also portrayed superficially. Viewers only see employees frequently chatting and gossiping. Even the young employees are depicted as "incompetent," lazy, and prone to making mistakes; they don't even know basic computer skills and need a ride-hailing driver to teach them.

Despite setting ambitious sales targets and competing neck and neck with rivals, Hoang Linh's company lacked a concrete plan. Instead, it was filled with empty slogans, reeking of multi-level marketing, such as "Are you confident enough?" or "Just do your job well"...

The rare person who actually "goes to work" is Mr. An. He's portrayed as a benevolent figure in everyday life: kind, hardworking, willing to do anything anyone asks, and even proactively helping others. He drives Hoang Linh to the market or takes her home, and even when he sees her house has a clogged drain, he offers to help even though no one asked. Even after learning that Hoang Linh had fired him, Mr. An still enthusiastically says, "Excuse me, can I take you home?"

Quyền Linh transforms into Mr. An.

However, despite being tech-savvy, for years Mr. An has only been able to find the relatives of the child he's caring for by... handing out flyers.

Such blatant flaws make the film's plot feel disjointed due to numerous inconsistencies and lack of persuasiveness.

The message is ambiguous.

When screenwriters lack sufficient skill, they decide to make the audience laugh with… over-the-top humor. However, in reality, the comedic aspect of... Confirm the order. It's ineffective, even awkward, due to the overuse of cheesy lines like "Put it on and your eggs will start popping," "Do you think Mom still has eggs to drop?"

If only the screenwriter, instead of getting bogged down in noisy drama formulas, had focused on delving into the characters' psychology after the incident, the film could have ended more neatly and favorably.

In reality, the screenwriter's attempt to cram too much plot and drama across three storylines resulted in a confusing film lacking a clear message. The storylines of Mr. An and Hoang Linh are almost entirely separate, with no points of intersection, causing the film's emotional flow to be constantly disrupted.

On average, only 3 tickets were sold per screening during the opening week.

Hoang Linh is portrayed as someone burdened with worries and anxieties, from being disliked and slandered behind her back by subordinates to a crumbling marriage with her wealthy husband. Linh devotes herself entirely to her work, neglecting her family. Yet, she demands understanding from her partner when she doesn't proactively connect with him, only thinking of him when absolutely necessary.

Neither of them had any reason to keep their feelings hidden, yet they had never openly confronted and resolved their conflicts. Therefore, the argument about who was right and who was wrong escalated to a point that felt somewhat forced and contrived. After all, Linh couldn't possibly accuse her husband of "being a little less indifferent to me" when she herself lacked responsibility and enthusiasm in their marriage.

Meanwhile, the rivalry between Hoang Linh and her rival Gia Ky unfolds in a dark and sinister way. They outwardly appear friendly but inwardly resentful, secretly competing and plotting to sabotage each other. Gia Ky is cunning and malicious, readily resorting to underhanded tactics to surpass her junior, even resorting to "dirty media" to tarnish her rival's reputation. However, Hoang Linh, in a position of strength, is also willing to exploit others' personal issues to "gain views" and salvage her declining livestream.

Regardless of whether the actions were intentional or unintentional, no sincere explanation or apology was offered at the end of the film, leaving a negative picture of the livestreaming profession. Furthermore, no one was held accountable for the series of dirty tricks, some even involving violations of the law. Perhaps the screenwriter intentionally portrayed the livestreaming sales industry as full of hidden conflicts and power struggles, making people cunning and willing to achieve success at any cost.

However, a superficial approach that ignores the consequences can easily distort the message rather than evoke empathy.

Source: https://baoquangninh.vn/ai-hai-chot-don-3371493.html


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