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Half a century of reconstructing My Son: The sound of the saranai trumpet in the thousand-year-old holy land

Since UNESCO recognized the My Son temple complex as a World Cultural Heritage Site, the ancient Champa cultural and spiritual architectural complex has witnessed a dramatic change.

Báo Tuổi TrẻBáo Tuổi Trẻ14/08/2025

My Son - Photo 1.

Thien Sanh Vu plays the saranai trumpet to serve tourists visiting My Son - Photo: BD

Not only are restoration projects continuously pouring in, heritage warming activities also make the valley bustling with people's footsteps.

Music in the sacred land

One afternoon, while passing through the tourist rest stops located in front of the internal entrance to each tower complex, we could not move forward when we heard the sound of the saranai trumpet - one of the typical symbols of Cham music .

Behind the Cham art performance house, Thien Sanh Vu - a 35-year-old Cham man from Ninh Thuan - stood under a tree and played a melody that sounded soulful, sad, and heartbreaking.

Every day at 3:30 p.m., according to the regular schedule, there is a performance of Cham folk culture in My Son. Since 2002, this has been a special treat for tourists after hours of visiting the ancient tower.

On the small stage, the sound of the paranung drum rose up as if to signal the performance about to appear behind the velvet curtain.

As the drums gradually fade under the hands of the artisans, the saranai trumpets play melodious melodies, bringing beautiful girls in Champa costumes onto the stage with ceramic vases on their heads.

Although the performance was quite simple, not as grand as in the big theaters, it was performed right on the holy land, making visitors experience a range of emotions. The sound of the saranai trumpet and the water dance resounded in the valley like a whisper, then dissolved into the silent tower walls for thousands of years.

Deputy Director in charge of the My Son Cultural Heritage Management Board Nguyen Cong Khiet said that due to the erosion of time and natural changes, most of the Champa residents no longer live around the temple tower area and neighboring areas.

Since being listed as a World Cultural Heritage by UNESCO, visitors from all over have flocked to visit the heritage site.

Unlike other relics, My Son is not like other relics. Organizing activities to help visitors stay longer and have more experiences in a sacred religious space also causes many cultural management units headaches.

After much consideration, after a visit to My Son by the head of the Ninh Thuan province's cultural sector, the idea of organizing Cham art programs was suggested. But the biggest problem at that time was how to have a team of artisans, program directors, choreographers... who understand Cham culture to be able to continuously organize events in My Son?

Understanding the situation of Quang Nam, the director of the Department of Culture and Communications of Ninh Thuan at that time agreed to help.

According to Mr. Khiet, with the introduction from Ninh Thuan province, in early 2002 My Son invited a group of Cham artisans from their hometown of Ninh Thuan to Quang Nam to perform.

Most of these people are famous artisans, living in old Cham villages, often practicing traditional rituals of the community.

Mr. Khiet said that as soon as they arrived at My Son, the group of artists were given the most special treatment. Every day, the artists performed at the Duy Xuyen District Cultural Center and My Son Sanctuary to serve tourists, and at night, they were arranged to stay in the public housing complex located at the entrance to the temple complex.

The appearance of this group of artisans immediately attracted the attention of tourists and soon became a unique specialty in My Son.

My Son - Photo 2.

Tourists enjoy Cham art performances in My Son

Stay with My Son

We met Thien Sanh Vu - a saranai artist while he was standing and playing a soft Cham melody behind the art performance house. Vu is 35 years old but his physique is stronger than his real age.

He said that he and some other brothers and sisters from the same commune and hometown in Ninh Thuan are working together every day to perform Cham art shows for tourists when they visit My Son.

This Cham man from Phuoc Huu commune, Ninh Phuoc district, Ninh Thuan province (old) is the next generation in a family that has preserved the traditional Cham culture for many generations. Vu's uncle, Truong Ton, is a well-known saranai artist in Ninh Thuan, often invited to perform at major events.

Vu said that because his family had such a long history, Champa culture was ingrained in his blood from a young age. He followed his uncle, his father, to learn how to make paranung drums and ginang drums, and to practice the saranai trumpet.

In his hometown, Vu is often invited to participate in traditional rituals. He also knows how to make many Cham musical instruments, so he is sometimes invited by the cultural sector to teach the profession to the younger generation.

In early 2004, Vu, then a young man, was suddenly approached by an official who invited him to Quang Nam to perform for tourists about Champa culture at the My Son temple complex. Without hesitation, Vu packed his belongings, took his saranai trumpet and took a bus back to the Central region.

Arriving at My Son, the Ninh Thuan boy was arranged to live with three brothers from the same hometown: A Thap Huu Luu (44 years old, ginang drum artist), Thap A Ri Va Ja Day (31 years old, choreographer and ginang drum artist), and Quang Dac Hoa (54 years old).

The Cham saranai trumpet artist said that since the day he came to My Son, being a son of Champa serving the heritage of his ancestors for thousands of years has made him feel like he has been able to live out all his passion and enthusiasm.

Every day in My Son, there are four art performances, two in the morning and two in the afternoon. They only last a few dozen minutes, but every time he gets to perform traditional Cham melodies for tourists, Vu feels his soul is filled with meaning.

"Here, in addition to performing Cham art, I also make musical instruments. Visitors can order and buy them as gifts. There is nothing happier than living with your culture and heart alongside the heritage that our ancestors left until today," said Vu.

Cham families at the holy land

Mr. Nguyen Cong Khiet said that the Champa cultural art team is part of the living heritage soul. It not only keeps the space warm but also helps visitors experience and understand more about My Son.

To keep these members attached for a long time, creating the next generations right in My Son, the government has given special priority so that each artisan can get married, build a house and settle down permanently as a citizen of Quang Nam province.

A few years ago, after getting married, the government created favorable conditions for each artisan to sell a plot of land at a preferential price and support the cost of building a house. Thanks to this great motivation, the artisans boldly got married, brought their wives and children from their hometown to Quang Nam and then immigrated to the new land.

Thien Sanh Vu said that in 2014 he married a woman from the same hometown named Quang Thi Thu Loi. Vu took his wife to My Son and the management board agreed to accept her as a performer of Champa brocade.

Two years after getting married, Vu and his wife were arranged to buy a cheap 200m2 plot of land in My Son village. By 2017, Vu and his wife had saved up and built a house worth 350 million VND, and are now citizens of Da Nang City.

Not only Vu, all Cham artisans who went to My Son with Vu were also arranged accommodation, jobs, and created conditions to buy land to stabilize their lives. Mr. Thap Huu Luu and his wife, brocade weaver Ngu Thi Thuong Uyen, now have a stable house near My Son, have a stable job in the temple complex, and have two children.

Like Vu, Luu's children will be the future generations of Cham people who will succeed their father on this sacred land.

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Located in the middle of a valley surrounded by mountains and forests, My Son is not only a heritage site but also attracts a large number of people from all over the world to come here on pilgrimage every year. The issue of conservation in balance with the nature of the spiritual and religious area is given special importance.


Source: https://tuoitre.vn/nua-the-ky-dung-lai-hinh-hai-my-son-ky-5-tieng-ken-saranai-o-thanh-dia-ngan-nam-20250813103740583.htm


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