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Portrait of Vietnam's 'Ultra-modern' generation

Vietnamese youth not only embrace technology quickly but also demonstrate flexibility in balancing tradition and innovation, pragmatism and idealism. According to Associate Professor Lim Kok Yoong, they are the "cultural programmers" of the digital age.

ZNewsZNews15/11/2025

Hoa Minzy's " Bac Bling " music video , Duc Phuc's "Phu Dong Thien Vuong " performance , and the performances in "Anh Trai Vuot Ngan Chong Gai "... are some of the outstanding cultural and artistic products that created a big impact last year. These works all share the commonality of being created based on traditional national culture and involving the participation of young people.

Speaking with Tri Thức - Znews , Associate Professor Lim Kok Yoong - Deputy Dean for Research and Innovation, Faculty of Communication and Design, RMIT University Vietnam - stated that the young generation of Vietnam holds the future of the creative industry. They not only consume digital content but also "program" the culture of the new era.

Associate Professor Lim also proposed the establishment of a National Arts Development Program, with a stable and long-term funding mechanism to support artists, cultural workers, and creative organizations. According to him, cultural work should be considered professional, intellectual, and community-based labor, directly contributing to national innovation and identity, rather than merely a passion-driven activity. Investing in creative infrastructure, cultural identity, and talent incubation systems will be the foundation for the sustainable development of Vietnam's cultural industry in the next decade.

Digital culture breathes life into the city.

- The draft document for the 14th National Congress outlines the direction of "strongly developing the cultural industry, cultural services, and cultural market." How do you assess the potential for developing the cultural industry in Vietnam?

Instead of relying on a manufacturing-based economy , Vietnam's next transformation could be to celebrate the nation's inherent creativity and culture. Creativity and cultural depth have shaped Vietnam in many ways, but the creative industries currently contribute only about 3-5% of the national GDP and are projected to reach 7% by 2030. This trend demonstrates the government's strong commitment to placing culture and creativity at the heart of national development.

No developing country can ignore the process of digitalization and the development of culture into the digital space, where entirely new forms of culture are emerging.

Associate Professor Lim Kok Yoong

The National Target Program on Cultural Development (2025-2035) has clearly outlined the direction for developing culture as an intrinsic strength of the economy. This figure holds enormous potential in at least four interconnected aspects: cultural soft power, creative entrepreneurship, creative urban regeneration, and interdisciplinary innovation. With close policy coordination and continuous investment, Vietnam can rise as a creative nation rich in identity.

- He once emphasized the importance of digital culture in the development of smart cities. Why is that?

I believe that digital culture breathes life into otherwise rigid systems. No developing country can ignore the process of digitalization and the development of culture into the digital space, where entirely new forms of culture are emerging.

Digital culture enlivens the system. A smart city may be efficient, data-driven, and technologically advanced, but it remains spiritually empty if it cannot express its cultural identity. Digital culture ensures that technology amplifies a local cultural identity. We are entering the hypermodern era—an age that swings like a pendulum between pragmatism and idealism. This means our technological ambitions must be balanced with cultural intelligence and emotion.

- What should Vietnam do to build cities that are both modern and advanced while preserving their cultural identity?

Vietnam needs to consistently maintain a focus on cultural continuity in its development process. The country has a complex and profound history, encompassing difficult periods but also a significant blend of cultural influences, creating a unique national heritage. Vietnam can leverage this blend to build modern cities that are both advanced and deeply rooted in their cultural heritage.

the Vietnamese youth group 1

Associate Professor Lim Kok Yoong emphasized the role of digital culture in modern urban development. Photo: Provided by the author .

A unique modern city is one that inspires both productivity and the power of imagination. Urban development frameworks should integrate cultural indicators measuring creativity, healthcare, and a sense of community alongside infrastructure and GDP. Heritage doesn't have to be nostalgic or outdated; it can be forward-looking and reimagined.

- Based on international experience, could you share a model that Vietnam can learn from in integrating culture into smart urban development?

Vietnam can learn from several successful urban development models. First, Thailand's creative economy demonstrates how a nation can elevate creativity into a national development strategy. The Bangkok Creative District has revitalized heritage spaces through community-led art, design, and innovation, transforming culture into a driving force for urban regeneration.

The Austrian city of Linz, once an industrial hub, has reinvented itself as a media arts city through its Ars Electronica festival, combining technology, art, and citizen participation. This long-term cultural vision has transformed Linz into one of Europe's leading media arts cities.

Vietnamese youth have shaped cultural expression through design, games, music , and digital media. They possess a hyper-modern mindset – flexible between tradition and innovation, pragmatism and idealism.

Associate Professor Lim Kok Yoong

South Korea demonstrates how culture and digitalization can coexist harmoniously, from music and film content to smart cities, proving that creativity is not just about decoration but also about infrastructure.

The success of these cities is based on consistent policies, a strong creative industry, and global cultural exports. Vietnam's UNESCO Creative Cities have also laid a good foundation for achieving similar results. With deeper technological integration, systematic investment plans, and targeted programs, these cities can become pillars of Vietnam's creative urban landscape and position the country as a regional hub for cultural innovation.

"The cultural programmer"

- In your opinion, how should the role of young people be promoted in co-shaping the future of urban culture, especially in the context of digital transformation and increasingly deep international integration?

Vietnamese youth have shaped cultural expression through design, games, music, and digital media. They possess a hyper-modern mindset – flexible between tradition and innovation, pragmatism and idealism. To empower them, Vietnam needs interdisciplinary education that connects art, design, and technology. The goal is to cultivate hyper-modern citizens, creative thinkers who combine technical proficiency with empathy and aesthetic intelligence.

Young people are not just digital consumers; they are “cultural programmers,” shaping the meaning and experiences that reflect Vietnam’s creative identity in a globalized world. They need a safe and supportive space, both physically, digitally, and institutionally, to express, experiment with, and co-create the nation’s cultural and technological future.

the Vietnamese youth group 2

According to Associate Professor Lim Kok Yoong, Vietnamese youth are "cultural programmers," shaping the meaning and experiences that reflect Vietnam's creative identity in a globalized world. Photo: RMIT Vietnam .

- If you were asked to propose a policy for the next 5-10 years to develop the cultural industry in Vietnam, what would you prioritize?

I would like to see a National Arts Development Program, with sustainable policy and funding mechanisms to support and nurture cultural development, programming, and innovation. This program should include a robust network of cultural incubation programs and a National Cultural Identity Map to guide and unify the country's creative direction.

Cultural work should not be viewed as "doing it out of passion." It is professional, intellectual, and community-based labor that directly contributes to the country's innovation, identity, and resilience. Stable, long-term investment through grants, art residency programs, and creative research and development will empower artists, exhibition managers, cultural workers, and organizations to build continuity, rather than relying on short-term funding or individual projects. Such policies will strengthen Vietnam's creative infrastructure and affirm that culture is not an expense, but an investment in the nation's future.

Thank you for taking the time to speak with Tri Thức - Znews !

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This article uses photos from the Nhan Dan newspaper.

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Source: https://znews.vn/chan-dung-the-he-sieu-hien-dai-cua-viet-nam-post1602467.html




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