Nowadays, the five-tone orchestra of the Khmer people in the Bay Nui region ( An Giang ) has gone beyond the sacred space of the temple, present in all events and happy days of the community.
The five-tone orchestra of the Khmer people in the South in general, and Bay Nui in particular, is also called Pinn Peat. The five-tone is a name based on the principle of the sound source due to the materials that make up the musical instruments, such as: iron, bronze, wood, wind and leather.
The pentatonic orchestra always maintains the correct sound composition, so there can be up to 7-9 instruments performing at the same time, but still ensuring the emission of 5 main sound sources. On the other hand, there is a slight difference in the way of playing compared to the musical instruments of many other ethnic groups, most of the musical instruments in the pentatonic orchestra of the Khmer people, especially in the Bay Nui region, are used by tapping with sticks.
Traditionally, the pentatonic orchestra was only used for “sacred” activities, such as major ceremonies in temples, religious venues for the Theravada Buddhist community.
Over time, the old rules gradually loosened and the Khmer Bay Nui's five-tone orchestra went beyond the sacred space of the pagoda, appearing in events and happy days of the community.
According to many music researchers, this "revolution" not only brought the pentatonic orchestra closer to the public for everyone to enjoy and learn, but through the performance style, the uniqueness of the sound... also made many people of ethnic groups such as Kinh, Hoa, Cham... love and contribute to honoring it.
This spread has created new vitality, full of spring colors for the traditional music orchestra of the Khmer people in the Bay Nui region in the new rhythm of life.
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