The unique art of Arab metal carving has been recognized as a World Cultural Heritage.

The traditional metal carving craft in 10 Arab countries has just been inscribed by UNESCO as a World Cultural Heritage, contributing to the preservation of traditional techniques and promoting tourism and trade in the North African region.

The United Nations Educational , Scientific and Cultural Organization (UNESCO) has just inscribed the art of metal carving, including copper, silver, and gold, with geometric, botanical, or astrological motifs, on its list of intangible cultural heritage.

The nomination dossier was submitted by 10 Arab countries, including Tunisia, Algeria, and Morocco.

According to the Vietnam News Agency correspondent in North Africa, in the Maghreb region, traditional metal carving techniques are mainly passed down from father to son; however, to meet new demands, some artisans have added machine carving techniques.

In Tunisia, 37-year-old artisan Mohamed Amine Htiouich began his craft at the age of 15 in his family workshop in the old town of Tunis.

Mr. Htiouich expressed concern about the risk of the craft disappearing and said he was willing to provide free training to young people.

An intricately carved bronze tableware set used in the dining and living rooms of an Arab family. (Photo: Nguyen An/VNA)

The art of metal carving in Tunisia dates back to the ancient city of Carthage and developed from the intermingling of Islamic civilization, Mediterranean traditions, Berber heritage, and Eastern influences. According to the Tunisian National Office of Crafts, there are currently 439 artisans specializing in this craft.

In Morocco, where handicrafts play a significant role in tourism , most woodcarvers work in modern workshops.

Abdelilah Mounir, a bronze shop owner in the city of Fès, believes that UNESCO's recognition of metal carving as a craft will bring benefits to tourism and trade.

Artisan Mohamed Moumni, who works near Morocco's capital Rabat, said that demand for these products is high, but "it is becoming increasingly difficult to find skilled workers," even though training centers remain open for young people to learn.

In Libya, the instability following 2011 has made the metal carving profession very difficult. Artisan Youssef Chouchine stated that the profession's development relies heavily on market demand, while lacking support from authorities. Many older artisans have left the craft due to low income.

A relief carving depicting the Arab army. (Photo: Nguyen An/VNA)

In Algeria, despite the lack of official support programs, engraved metalwork remains popular. Gold and silver jewelry is considered an essential item in wedding attire, with each region having its own unique characteristics.

Young artist Walid Sellami, 37, after developing a passion for carving in a small jewelry shop, taught himself the craft online for two years.

He described the carving craft as "beautiful and delicate," and although UNESCO's recognition "doesn't change much" in his daily work, he would still be proud if the craft were more widely recognized in the region.

(VNA/Vietnam+)

Source: https://www.vietnamplus.vn/doc-dao-nghe-cham-khac-kim-loai-arab-duoc-vinh-danh-la-di-san-van-hoa-the-gioi-post1080474.vnp